Spider-Man Turns 60: ‘Amazing Fantasy #1000’ Review

With great power comes great responsibility — and celebration. In honor of the legendary webhead turning 60 this year, Marvel Comics released the ultimate Spider-Man anthology titled “Amazing Fantasy #100”, as a nod to Spider-Man’s first comic book appearance back in 1962’s “Amazing Fantasy #15.”

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‘Doctor Strange in the Multiverse of Madness is a ‘Goddamn Haunted House’ [spoiler review]

It’s a bird, it’s a plane, no, it’s a witch?… and oh look! It’s also Doctor Daddy Salt-N-Pepa Strange, back at it again with the stolen sling rings and sorcery!

In what feels like the 3,000th entry into the Marvel Cinematic Universe, especially now that we’ve all got the Television Universe to worry about, the latest movie Doctor Strange in the Multiverse of Madness at least added some good ol’ fashioned B-movie horror to the franchise. (And so you’ll have to excuse me while I make a horror-tinged comparison.) Like a haunted house, the movie is full of fun-filled surprises, genuine scares, and long dark corridors that not only the character, but the audience too, have to travel to get to the menial plot on the other side. What I’m trying to say is; that though we’ve all paid the price of admission for some twenty-odd years now, not all haunted houses are worth the price of admission. And unfortunately, the titular Multiverse lacks not in frights, entertainment, or villainy but instead coherent theming. Something akin to asking: why was the haunted house built in the first place?

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“Miles Morales: Shock Waves” Review

courtesy of Marvel

Within a year of becoming Brooklyn’s Spider-Man, Miles Morales has queued a list of his five most frequently answered questions such as: is he old enough to be fighting crime? Does he have a fear of falling? Is he related to *that* other Spider-Man from Queens? But the most important curated question is the last one on his list: “What does a superhero do when they’re not saving the world?” 

Miles Morales: Shock Waves” written by Justin Reynolds (“Early Departures”) and illustrated by Pablo Leon aims to answer that question. 

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